Flint unmasks a thief on his crew. Rackham chases a score over Vane’s objection. Silver hides with Max in the brothel. Eleanor faces an impossible choice.
(Summary provided by starz.com)
Q: When did I fall in love with Charles Vane?
A: NOT THIS EPISODE, that’s for sure. Despite the intriguing hints of his past with Eleanor, he is AWFUL here: nearly murdering Max and actually murdering his second innocent black man in as many episodes. Bad Vane!
BEST FLINT MOMENT
“They’re not animals. They’re men starved of hope. If you give them that back, who’s to say what could happen?”
Idealistic Flint is my favorite Flint!
TODAY’S RUNNER UP
Eleanor! During my first time through the show, I was too distracted by her frequent nakedness and ridiculous man-speak boasts to pay attention to her character (this is why exploitative nudity and poor writing for women is so damaging), but this time I finally noticed how amazing she is.
Her first scene finds her comparing herself to her father, who saw the pirates as animals. She, on the other hand, saw more in them and did more for them when she took over the island’s business. Of course, she also later calls Vane’s men animals, so there’s some interesting hypocrisy going on.
I also really like her conflicting motives about siding with Flint to pursue the Urca gold and remake Nassau – I’d wager she’s about equally motivated by communal good (Flint’s dream) and personal good (reassuring herself that her work there is not in vain). I like a character with conflicted motives!
Silver’s belly flop, and especially the groan-scream he makes when he resurfaces.
The conversation between Flint, Eleanor, and Mr. Scott is the most important of the episode, the season, and perhaps even the entire show. As such, I want to quote it in full!
Eleanor: Why return at all to Nassau? With money like that and my father out of business, why not run? What’s coming our way can’t be outrun.
Flint: But with the money I strip from the Hulk, we could add fifty guns to the fort. We could build ships to defend our shores and train new men to sail them. We could work the land, grow crops and raise cattle. Then whoever arrives on our shores first, be it England or Spain, will be in for a most unwelcome surprise. A nation of thieves. …You have your doubts?
Mr. Scott: Of turning pirates into farmers and soldiers? Of fighting a war against Whitehall from a sliver in the Atlantic? Doubt, Captain Flint, does not begin to describe how I am feeling.
Flint: They’re not animals, Mr. Scott. They’re men starved of hope. Give that back to them, who’s to say what could happen?
Eleanor: Why do this? Why here?
Flint: Odysseus, on his journey home to Ithaca, was visited by a ghost. The ghost tells him that once he reaches his home, once he slays all his enemies and sets his house in order, he must do one last thing before he can rest. The ghost tells him to pick up an oar and walk inland and keep walking until somebody mistakes that oar for a shovel, for that would be the place that no man had ever been troubled by the sea. And that’s where he’d find peace. In the end, that’s all I want. To walk away from the sea and find some peace.
This is the moment when Flint gets Eleanor on board with his plan for a stronger, securer Nassau. A Nassau so strong and secure that pirates can settle down and become farmers. All Flint wants is to be free enough and secure enough that he can leave the sea behind him, and he assumes that everyone else feels the same way. It will be fun to see whether or not he is correct!
I had a hard time believing that the pirates of these first few episodes weren’t animals and did, in fact, deserve Flint’s vision for them. After all, in just this episode we see them pissing on corpses, beating prostitutes, and murdering innocent men. I think we’re meant to have this visceral reaction to the crudeness of the pirates we’ve seen so far, because that is how “civilization” sees them. It’s only as our story goes along and we get various characters’ backstories that we understand what pain, trauma, and abuse led them to a life of debauchery and cruelty. A good reminder that first impressions are often only part of the story.
- That’s a lot of nudity. As I mentioned earlier, it still feels exploitative and cheap.
- I would love to know more about the history of Flint and Vane’s rivalry!
- I don’t know how to feel about Eleanor’s relationship with Max. Apparently, she only recently split from Vane, so they can’t have been together long. And can someone truly be together when one party is paying for the company of the other? I do believe Max loves Eleanor, but I don’t really believe it’s fully reciprocated.
- Silver is seriously so smart, both with his misdirection on the beach and with his memorizing the contents of the page.
- Max is also so smart, making the evaluator inspect every single pearl.
- Flint: “I never much liked your father; too caught up in appearances.” LOL, okay, James.
- Silver: “Do you have a candlestick or…perhaps a heavy shoe?
Idelle: *pulls out sword*
- I think that might be our first hint that background prostitutes are also real people with lives and intelligence (and not just Max as the token Special Prostitute). Also, hello Idelle! I didn’t realize you were a part of the show since the beginning!
- It’s only episode two and we already have lovers being torn apart by their own choices. Friendly reminder that this show is a tragedy 😀 This is one of my favorite things, though, that relationships are rarely broken because of outside influence or lack of interest, but because of fundamentally different worldviews and goals. Far more nuanced and interesting!
- Honestly, what even is Jack’s hair?
- Ninja!Flint makes his first appearance when he goes to the house of a Mysterious Woman and collapses. He’s so tired! If I hadn’t already fallen in love with him before, I would now. Nothing quite reaches my Female Id like a strong man showing weakness.
- What is Mr. Scott’s plan for Nassau if he’s opposed to Flint seeking the Urca gold?
Not done reliving the episode? Listen to Daphne and Liz’s podcast at Fathoms Deep!